… and Bingo knows it.
… and Bingo knows it.
The WordPress.com stats helper monkeys prepared a 2012 annual report for this blog. The houndbloggers would like to thank all of our readers and visitors and wish every one of you a Happy, Houndy New Year!
Here’s an excerpt:
4,329 films were submitted to the 2012 Cannes Film Festival. This blog had 57,000 views in 2012. If each view were a film, this blog would power 13 Film Festivals
For this Veterans Day, the houndbloggers return to an old favorite, the English poet Siegfried Sassoon. Among foxhunters, he’s as well known for his delightful and nostalgic prose work Memoirs of a Fox-Hunting Man as he is among schoolchildren and British historians as one of England’s brilliant War Poets, whose style helped change the trajectory of modern poetry. Sassoon was a passionate foxhunter, especially during his youth and in the years immediately after World War I, though he often felt that the hunting side of his personality tended to distract from the greater work of his life, poetry.
When the Great War broke out in 1914, Sassoon joined up and took his hunter and point-to-point winner Cockbird with him to war. Sassoon wrote a great deal about Cockbird, and his picture can be found in many Sassoon biographies; our favorite is quite a famous picture of Cockbird standing in the Sassoon family’s yard, with Sassoon standing at his head and gazing with obvious pride at his hunting and racing partner. Alongside them is a small side table that, you can tell, has been carried out into the yard especially for the occasion of the photo, for on it is a magnificent silver racing trophy, the Colonel’s Cup–now lost (like Cockbird, alas), whereabouts unknown.
In honor of Veterans Day, we hope you’ll page back through the blog and see our earlier posts, The Hounds of War: A Veterans Day for Hunting Soldiers and A Hunt for the Veterans. But today we give our page to Sassoon, not for the biting but deeply touching poems he penned in the trenches (some of which you can read here), but for an unusually peaceful wartime passage in Memoirs of a Fox-Hunting Man:
“I was happy as I trudged along the lanes in the column, with my platoon chattering behind me and everything gilt with the sun’s good humour. Happier still when I borrowed the little black mare no one could ride and cantered about the open country by myself, which I did two or three afternoons a week. The black mare was well bred but had lost the use of one eye. She had a queer temper and had earned an evil reputation by kicking various officers off or bolting back to the transport lines with them after going half a mile quite quietly. She was now used as a pack-pony for carrying ammunition, but by gentle treatment I gained her confidence and she soon became a sort of active-service echo of my old favourites. Dick rode out with me as often as he could persuade the Transport Officer to let him have a horse.
“When riding alone I explored the country rather absent-mindedly, meditating on the horrors which I had yet to experience: I was unable to reconcile that skeleton certainty with the serenities of this winter landscape–clean-smelling, with larks in the sky, the rich brown gloom of distant woods, and the cloud shadows racing over the lit and dappled levels of that widespread land. And then I would pass a grey-roofed chateau, with its many windows and no face there to watch me pass. Only a bronze lion guarding the well in the middle of an overgrown lawn, and the whole place forlorn and deserted. Once, as I was crossing the main road from Abbeville to Beauvais, I watched the interminable column of a French army corps which was moving southward. For the first I saw the famous French field-guns–the ’75s.’
“But even then it wasn’t easy to think of dying. … Still less so when Dick was with me, and we were having an imitation hunt. I used to pretend to be hunting a pack of hounds, with him as my whipper-in. Assuming a Denis Milden manner (Denis was at Rouen with the cavalry and likely to remain there, in spite of the CO’s assumptions about open warfare), I would go solemnly through a wood, cheering imaginary hounds. After an imaginary fox had been found, away we’d scuttle, looking in vain for a fence to jump, making imaginary casts after an imaginary check, and losing our fox when the horses had done galloping. An imaginary kill didn’t appeal, somehow. Once, when I was emerging rapidly from a wood with loud shouts, I came round a corner and nearly knocked the Brigadier off his horse. He was out for a ride with his staff-captain; but no doubt he approved of my sporting make-believe, and I didn’t dare stop for apologies, since the Brigadier was a very great man, indeed. Dick enjoyed these outings enormously and was very much impressed by my hunting noises. The black mare seemed to enjoy it also.”
Years after the Great War, when Sassoon was living in Heytesbury, Wiltshire, and still hunting now and again with the packs around Salisbury Plain, there was a touching moment caught by Alec Waugh. Waugh, brother of the author Evelyn Waugh (of Brideshead Revisited fame, among many other wonderful books), recounted it in his book My Brother Evelyn and Other Portraits:
“I last saw Sassoon in October 1940 under ironically appropriate circumstances.
“A few weeks earlier I had been posted as staff-captain to the Petroleum Warfare Department, a branch of the Ministry of Mines, that under the dynamic inspiration of Geoffrey Lloyd made a considerable contribution to the war effort. … At that time we were chiefly concerned with the defensive uses to which oil might be put, flame-throwers, tank traps, flame on water. In mid-October we went down into the country to give a demonstration.
“It was what is called a typical, which is to say it was an exceptional, late autumn day; a day that started with mist and a chill in the air, a mist through which the sunlight began to break about eleven. By noon it was summer hot. It was the prefect day to drive down into the country with a team of cameramen to film the demonstration and it was a perfect picnic site that had been chosen for the demonstration, at the head of a valley, with the grass very green with dew and the trees red and brown and yellow and the spire of a church showing between the branches of an orchard.
“We got down early, set out our cameras, and waited. The blitz had been heavy on the previous night. It was a relief to lie out in the grass, with the sun warm upon our faces, in a countryside untouched by war. The valley was quiet and deserted: nothing dramatic in the country’s history had happened here. It was strange to reflect that within an hour its slopes would be lined with red-hatted officers; a whistle would blow, the handles of the cameras would turn, and explosion would follow on explosion, the soft greensward would be scorched and ripped and scattered into a desert of smouldering fires and scarred iron.
“The demonstration started at two o’clock. Within a quarter of an hour the beauty of the valley was destroyed and it was just as the high grade staff officers were moving to their cars, as the final informal conferences were breaking up, that a horseman, a civilian, came trotting by. This was, no doubt, a favorite ride of his. He had had no idea that this demonstration was to be held. It could scarcely be a pleasant surprise for him. I looked up, to note with a start of surprise that it was Sassoon.
“My first instinct was to run across and greet him; but a second, wiser instinct checked me. There was an inscrutable expression on that drawn, handsome face as it looked down on the charred and littered grass.
“What thoughts, I wondered, were moving behind that mask: how many different thoughts must be creating a mixed mood–memories of the last war and his revolt against it, his contempt for ‘scarlet majors at the base,’ his poems that had seemed then and later the battle call to a crusade; the sacrifice of his generation that had failed to prevent this second war, whose intensified horror was exemplified by these new engines of destruction, with himself a quarter of a century later, in his fifties and too old for service?
“It was kinder to leave him to that mood, those memories.”
TOMORROW is Blessing Day, so today presents a good moment to look back on an excellent cubbing weekend. The last weekend in October was damp, misty, and chilly with highs in the 40s–a perfect weekend, really, for a spooky Halloween. Despite a stiff breeze, the hounds had no trouble finding coyote lines, and, in fact, the pack hardly ever stopped working during two days of hunting. The video above is from both days combined and gives you some indication of hounds’ general work ethic. You’ll spot quite a few familiar faces, too: red and white Samson, whose trip from England to Kentucky made him very conservational; bounding, powerful Banker; Sage, the mother of our current SA puppies, and their father Driver, too; as well as Paper, better known in his youth as “Playper”!
Tomorrow the formal season begins. Looks to me as if the hounds have absorbed their lessons well during the informal training season!
Today we share photographs by Charlotte Dumas of privately owned dogs who were mobilized, with their owners, to search for victims of the Sept. 11, 2001, attacks. They are now retired.
Moxie, age 13, Winthrop, Mass. She arrived at the World Trade Center site on Sept. 11 and began working the next morning. Though she is trained to find survivors, she identified six bodies and many body parts during the eight days she worked there. Since her owner retired her at age 7, she has hunted and spent time on the waterfront.
Orion, age 13, Vacaville, Calif. He worked at the World Trade Center for five days after the attacks and later participated in searches for missing hikers in the High Sierras, at elevations of as much as 12,000 feet. Orion’s owner says that the dog ‘‘loved the work. His purpose in living was doing search and rescue…
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Hound Welfare Fund Retiree of the Year Sassoon ’04, who retired this season after nine years with the working pack, prepares for his appearance at tonight’s HWF dinner and live/silent auctions at the Iroquois Hunt Club!
The houndbloggers have just returned from the Mill this morning, and we can report that it looks amazing, all gussied up in its best finery–including new framed photos from the past hunt season!–for tonight’s Hound Welfare Fund dinner and live and silent auctions.
This year’s auctions will feature sporting art by Sandra Oppegard (who has contributed a watercolor depicting the Iroquois Hunt’s 2011 Blessing Day), Katherine Landikusic, Sally Moren, Ena Lund, and D. Lee (whose debut work for HWF is a stunning portrait of Driver); a limited edition Andre Pater print with hand-drawn remarque; a handcrafted leather satchel from Claire Painter at Clever with Leather; luncheon and behind-the-scenes Keeneland experience with trustee emeritus Ted Bassett; a private hunt with the Iroquois hounds and staff; a sterling silver necklace from Shelia Bayes; a lamp hand-painted by Ouisha McKinney and depicting the Iroquois hunt clubhouse at Grimes Mill; box seats at Keeneland Racecourse for the 2013 Blue Grass Stakes; and much more!
For a taste of the live auction’s art and experiences, see the videos below.
And remember: 100 percent of the proceeds for all auction items go directly to the retired hounds’ care, and donations to the fund are tax-deductible. Now there’s also a cool opportunity to double the power of your donation. Write a check to the HWF, put “matching fund” in the memo line, and a generous anonymous donor has agreed to match your gift, up to a total of $5,000. To donate online to the HWF, click here. Or simply mail your donation to Hound Welfare Fund, P.O. Box 55610, Lexington, Ky. 40555.
If you missed the Virginia Hound Show, check this out! Iroquois huntsman Lilla Mason put together the Smilebox below from photos Dave Traxler took at the show. We’d like to add that, with the Hound Welfare Fund‘s annual dinner and auction coming up on June 16, this is a nice reminder of why we do what we do. When our hounds retire, they’re no longer covered by the Iroquois Hunt budget, and that’s where the Hound Welfare Fund and its supporters step in.
It’s not too late to RSVP for this year’s fundraiser, and even if you can’t attend in person you can still leave a bid for an item or make a donation. To see some of the items on offer and get more information on leaving a bid, click here.
|This free slideshow design made with Smilebox|
This morning our Facebook friends at Fox Hunt directed our attention to a BBC Radio 4 broadcast about the history of British hunting and how it has changed since the ban. It’s written and narrated by Dr. Emma Griffin, whom the houndbloggers met in October 2010 at the National Sporting Library’s very interesting symposium on the origins and evolution of hunting and sporting dog breeds. Griffin, a social historian, also is the author of Blood Sport: Hunting in Britain since 1066.
The new radio piece is available here. PLEASE NOTE: It is only available for seven days, according to the BBC website, so listen soon!
Griffin’s very interesting and evocative BBC Radio 4 piece features one of our favorite historic hunts: the Banwen Miners Hunt in Wales, which at one time kept its hounds in the lamp-room of the local colliery in Banwen, before the mine closed. The houndbloggers were so engrossed that we forgot to mark the exact beginning of the part about the Banwen Miners, but I believe it starts at about the 16- or 17-minute mark. In the course of the 28-minute piece, Griffin visits the Beaufort Hunt and the Blencathra Foxhounds who hunt the fells of Cumbria, as well as the Banwen Miners. Also in the radio piece: beautiful horn and hound sounds, a lovely rendition of “John Peel,” and an interview with a “hunt monitors” leader. Well worth a listen!